Anger? Or the Creation of New Worlds?
Kicking off Season 2, Will thinks with the extraordinary poet, performer, and sound artist Jonah Mixon-Webster. Beginning with a recent comment made about the expression of anger in Mixon-Webster’s highly awarded Stereo(TYPE), the conversation catches the wind and explores a wide range of territory, from the politics of blackness to the creation of new worlds through fiction to the fabrication of the NFT.
Jonah Mixon-Webster is a poet-educator, scholar, and conceptual/sound artist from Flint, MI.
His debut poetry collection, Stereo(TYPE), won the PEN America/Joyce Osterweil Award and was a finalist for the Lambda Literary Award for Gay Poetry. He is an alumnus of Eastern Michigan University and Illinois State University. He is the recipient of the Windham Campbell Prize for Poetry and fellowships from Vermont Studio Center, Center for African American Poetry and Poetics, Images & Voices of Hope, The Conversation Literary Festival, and the PEN Writing for Justice Program. His poetry and hybrid works are featured in various publications including Obsidian, Harper’s, The Yale Review, The Rumpus, Callaloo, Pennsound, Best New Poets, and Best American Experimental Writing.
Christen Rinaldi of Insight-Owl Counseling and Wellness discusses the fusion of Reiki and clinical mental health practice.
Ash Canty of Sovereign Spirit Death Care talks with will about his/their calling as a Death Walker, the bigness of the One, and the beauty of all the things we can barely understand.
Kicking off Season 2, Will thinks with highly decorated poet, performer, and sound artist Dr. Jonah Mixon-Webster
A thinking sessions for all the scholars out there. Will talks with theatre historiographer Pannill Camp about the intellectual underpinnings of his current book project.A thinking sessions for all the scholars out there. Will talks with theatre historiographer Pannill Camp about the intellectual underpinnings of his current book project.
An amazing linking-together of scholarly texts, close-readings of The Sopranos, and visions of a Chicago-based work of street theatre that centers the day-to-day experience of Palestinian Americans.
How can we get to a place where we feel sadness each time another person is hurt (regardless of that person’s race, class, or cultural background)? Listen to Greg and Will think through this question together.
Aligned with the international organization Performance Philosophy, Will helps explain the upcoming conference’s key theme: Problems. A problem is not something to be solved. Rather, it is something like the generative matrix that continues to inform all scholarly thought and/or artistic expression.
It is getting harder and harder to have productive, critical conversations with people who occupy different ideological stances than our own. What are we going to do about this? How can we meaningful talk with others?
Episode 3 of “Thinking Will”: Have you thought about how plants “perform”? If you have, have you considered not using the performance when doing your thinking? This and other ethical questions arise while thinking through the “performativity of plants.”
A convergence of Will’s grief work and theatre scholarship. Why don’t we attend to death onstage with the same sensitivity as we attend to the death of a loved one?
What will make a difference in this world so full of ignorance? Thinking Will.
Episode 1 ponders the link between pharmaceuticals, the philosophical notion of the pharmakon, and conspiracy theories.
The title of this episode draws inspiration from Nina Simone’s song, “Mississippi, Goddamn!”, the fire of which fuels Priya and Will as they think about intersections of grief, race, gender, oppression, and joy.